bastard har været forbi Mols bjerge og mødt Christine Fentz til en samtale om at skabe forbindelser mellem mennesker og ’more than human’
How to arrive after landing was created during the IN PROCESS residency at HAUT. It explored the discrepancy between going somewhere and actually arriving there with your body.
IN PROCESS How-To-gether residency curated by HAUT and HUMUS collective with Joni Barnard and Zee Hartmann
Amalie Bergsteins IN SEED residency var ved HAUT i samarbejde mef Teater Zeppelin. HAUT og bastard.blog undersøger sammen måder at dokumentere kunstneriske arbejdsprocesser på. ” In the beginning was the
Performancekunstner og kunstnerisk forsker, Camilla Graff, er i gang med et langvarigt, større fællesskabsprojekt, der inddrager børn, beboere og institutioner.
The dancers and choreographers Karis Zidore and Emilia Gasiorek have worked for several years on thecarrierbag festival with a focus on how we meet and gather around performances.
I løbet af Linnea Langfjord IN PROCESS-residency hos HAUT udfoldede en undersøgelse sig, sammen med skuespiller Thalita Beltrão Sørensen og kunster Ida Brottman, hvor dokumentationen af live-værket, var omdrejningspunktet for selve værket.
Miriam Kongstad unfolds the research going into her works Take My Breath Away (2023) and Worker’s Choice (2017) with references to pop culture, aging bodies, women in jeans and body politics.
The Sámi cultural resurgence and The looming end of climate nihilism in ‘Matriarchy’ by Pauliina Feodoroff at the Sámi Pavillion at the Venice Biennale
Interview med stifter Sara Gade. Pigmenthaven er en have og et samfund med fokus på klimakrise, kunst, farver, materialer, planter og håb.