Hvordan kan vi skabe ægte repræsentation, der rummer mere komplekse fortællinger, end de stereotyper som vi har om den muslimske kvinde og islam? Det er et af de spørgsmål billedkunstner
With an ambitious two-day programme of both talks and performances, Nasjonalmuseet in Oslo discusses and showcases what performance can look like in the museum: the practical problems that it poses
To forestillinger på Stadsteatern i Stockholm kæmper med store størrelser som identitet og folk – og hvordan man kan bryde ud af navngivningens bokse. Den ene er fuld af sprog,
Kunstenfestivaldesarts in Brussels is a monster of a festival. The sheer size and ambition of the festival (along with the popular tickets that you have to fight for) makes it
I Fix&Foxys megalomane projekt STATEN møder vi en række forskellige mennesker, der spiller sig selv i over 20 ’episoder’ rundt omkring i København. Personerne repræsenterer enten staten i form af
Legesyg horror-inspireret dansesolo om kronisk sygdom vrider sin krop og ordene til nye betydninger i skandinavisk tværkunstnerisk samarbejde. Jeg er taget i Dansehallerne for at se forestillingen shivr af Ar
Tearing up as we move through – Moving from a place of friction with the stream of tears was the name of the research that Hanna A. Lokøy and Aikaterini Dimitrelli
Under the Radar is New York City’s annual festival of experimental theatre and performance art. The 20th edition of the festival took place from the 4th – 19th of January
Filip Vest interviews fellow performance artist Alex Tatarsky about clowning as a response to the state of the world, allowing porousness in your work, the futility of institutional critique and
Spine Of Desire: Wounds without tears, out of one skin in diamonds and shit is the name of the artistic research that French-Carribean artist Stanley Ollivier and his collaborator French-Malian dancer Mamadou