På Waves festivalen, som finder sted hvert andet år i Vordingborg, så jeg et værk, When The Bleeding Stops, af den islandske danser og koreograf Lovisa Ósk Gunnarsdóttir, som var
– “Intense catharsis that could also be found in silence” For the third interview in relation to the exhibition Disappearing Body – Becoming Tsujimura at Heirloom in Copenhagen, revolving around
– How to Play (Four studies for Ensemble or Soloist)’ and ‘Sextet’ For the second interview in relation to the exhibition Disappearing Body – Becoming Tsujimura at Heirloom in Copenhagen,
– a three part interview series about HEIRLOOM’s new events/exhibitions entitled Unfiled While summer was at its highest in Copenhagen, I went to see the exhibition Disappearing Body – Becoming
With slowness and great intensity Marie Topp has pulled me into her work repeatedly. This time, with the ending of her trilogy, True Random, an investigation of the balance and
Ofelia Jarl Ortega (b. 1990) is a Chilean-Swedish choreographer and performer based in Stockholm. She has recently shown her latest work, Casino, at Dansehallerne in Copenhagen. Casino is also what
I april tog jeg til Pavillon K i Vordingborg, hvorfra performancen INDHYLLET af Ida-Elisabeth Larsen og Marie-Louise Stentebjerg begyndte. Den endte på en tidligere slagterigrund, som nu befandt sig i
På det lille, fine artist-run space, Collega, på Vesterbro i København, kan man opleve gruppeudstillingen, Testing elsewheres, endnu en velkurateret perle i rækken af et utal af gode udstillinger. Collega
A work-sharing with artists Jaleh Negari and Alice Martucci. Immediately as I entered the room at The Development Platform for Performing Arts where Jaleh Negari and Alice Martucci had been
Nanna Lysholt Hansen udgiver d. 20. februar et nyt bogværk, Dura Mater, på RSS Press. Jeg har interviewet hende omkring værkerne, hun har skabt sammen med sin datter, Kirsten Thorup,