UNDER: en process
Den första varma dagen på våren pratar jag med Alica i telefon. Jag sitter på balkongen och det är kanske 3 år sedan vi började jobba tillsammans. Jag säger att
Den första varma dagen på våren pratar jag med Alica i telefon. Jag sitter på balkongen och det är kanske 3 år sedan vi började jobba tillsammans. Jag säger att
At the dance festival Ice Hot Nordic Dance 2024, I was excited to go and see Dunkel, a choreographic work by Olivia Rivière and Lisen Pousette. In a dimly lit room,
Back in São Paulo, MITsp, the international festival for dance and performance was entering its’ last day. I was in town to take soak in the abundance of performances and
The smell of São Paulo is thick. I arrived an early Wednesday morning and a two-hour Uber ride took me from the airport to my room in the center. My
This essay by Dorte Bjerre Jensen wades into the waters of gratefulness, spacetime and mutuality blurring the lines between human perception and the-more-than human worlds.
DUNKEL er en forestilling om mørke. Om at være det, stirre ind i det, lade sig omslutte af det. Mørket. DUNKEL er en danseforestilling eller sanseforestilling om alle mørkets nuancer.
Filip Vest reports from ICE HOT in Oslo, reflecting on their experience of the performance One Drop by Sonya Lindfors, a decolonial tour-de-force.
What I pay attention to, is growing. What I do regularly, wins. If I regularly pay attention to how I choose to see, my choice wins. Helsinki, 2022 I try
The Sámi cultural resurgence and The looming end of climate nihilism in ‘Matriarchy’ by Pauliina Feodoroff at the Sámi Pavillion at the Venice Biennale
Lydia Östberg Diakité unfolds themes like iconic walks, crying practices, working through pleasure, and creating new collective realities.