
A unifying theory: notes on Tectonic by Mirko Guido
“The earth has not only its comprehensive system of growth, in which strata have been added to strata, continents and seas defined, mountains reared, and valleys, rivers, and plains formed,

“The earth has not only its comprehensive system of growth, in which strata have been added to strata, continents and seas defined, mountains reared, and valleys, rivers, and plains formed,

In Braiding and Mending, Jane Jin Kaisen presents a dual-channel black-and-white video installation that unfolds as a quiet, meditative act of care, memory, and intergenerational connection. Over the course of

Imagine a space: a dance studio bathed in soft daylight beaming from windows above the ceiling. A small group of performers. A handful of visitors seated around the room, waiting

En reflektion över Norbergfestival 2025 i två delar: En text på svenska och en dikt på engelska. 1. Är träden polisen? Om 2025 års Norbergfestivals konstprogram bleed: – genreöverskridande curaterat

Swedish born dancer, performer and choreographer, Andreas Haglund, premiered a new work at Dansehallerne in Copenhagen in October 2025 entitled Feral Fantasies. The performance asks the question “Who´s a good

– a roaring kaleidoscope of fairytales, queer desire, humor and darkness, afrofuturistic voices and visibility: NEON BEIGE by Alen Nsambu A strong beat is coming from the speakers along with

Hvordan kan vi skabe ægte repræsentation, der rummer mere komplekse fortællinger, end de stereotyper som vi har om den muslimske kvinde og islam? Det er et af de spørgsmål billedkunstner

Center of Unseen Trans Survival (C.U.T.S) is an artist run initiative, founded by artist Ruby Nilsson. The aim of C.U.T.S is to sustain and realize the visions of trans artists

Til den årlige og landsdækkende begivenhed Arkivernes Dag i november fletter to arkiver sig sammen, for i anledningen er både det lokale Fjaltring- Trans egnen arkiv og det inspirerende vidensdeling

A reflection on curating performance-based practice How can one curate anything in the absence of an institution? Without a building, staff or funding—without a space to hold what is often