HAUT, Fair Practice Kultur og prfrm arrangerede et vigtigt todages seminar med talks, workshops og debatter på Udviklingsplatformen for Scenekunst. Seminaret adresserede, hvordan vi skaber et Fair Practice Kodeks med
Tearing up as we move through – Moving from a place of friction with the stream of tears was the name of the research that Hanna A. Lokøy and Aikaterini Dimitrelli
17 januari 2025, i samband med premiären för Please Hold av MEGALAND THEATRE på Det Frie Felts Festival i Köpenhamn, höll jag i ett samtal med Karoline Clasen Holland (koreograf
Nanna Lysholt Hansen udgiver d. 20. februar et nyt bogværk, Dura Mater, på RSS Press. Jeg har interviewet hende omkring værkerne, hun har skabt sammen med sin datter, Kirsten Thorup,
Filip Vest interviews fellow performance artist Alex Tatarsky about clowning as a response to the state of the world, allowing porousness in your work, the futility of institutional critique and
“Examine your own nature, stretch your own body out on the examining table, do the work that needs to be done on yourself (with all this charge’s intended multiple meanings),
Første gang jeg så et værk af Birgitte Skands, var til Tårnby Park Performance Festival i 2023 med IN DUO WITH EARTH Volume 5. Jeg blev mildest talt blæst bagover
Arendal, August 2023. In Southern Norway, in the center of the country’s bible belt, we begin our journey of Claiming Space, a project comprising a year of performances in public
On Emilie Gregersen’s new piece On My Tongue which moves through a world that is full of desire and touch. It is playful and occasionally uncanny – dealing with questions
This black box has never looked better. The room is completely stripped. The heavy black cloths that once covered the walls and windows are now gone or hanging like dusty