Filip Vest interviews fellow performance artist Alex Tatarsky about clowning as a response to the state of the world, allowing porousness in your work, the futility of institutional critique and
“Examine your own nature, stretch your own body out on the examining table, do the work that needs to be done on yourself (with all this charge’s intended multiple meanings),
Første gang jeg så et værk af Birgitte Skands, var til Tårnby Park Performance Festival i 2023 med IN DUO WITH EARTH Volume 5. Jeg blev mildest talt blæst bagover
Arendal, August 2023. In Southern Norway, in the center of the country’s bible belt, we begin our journey of Claiming Space, a project comprising a year of performances in public
On Emilie Gregersen’s new piece On My Tongue which moves through a world that is full of desire and touch. It is playful and occasionally uncanny – dealing with questions
This black box has never looked better. The room is completely stripped. The heavy black cloths that once covered the walls and windows are now gone or hanging like dusty
Live Art Danmarks festival for børn og deres voksne har 10års jubilæum. Festivalen, der finder sted på Arken i november, har i år et vigtigt og aktuelt tema: iscenesatte identiteter
Udstillingens titel I’m Sorry This Space is Reserved har billedkunstner Kristina Steinbock hentet fra digtet ’Poems with Disabilities’ af den amerikanske digter og professor i handicapstudier Jim Ferris, fortæller hun.
Feminist phenomenologists challenge traditional Western phenomenological frameworks contingent on a mind/body and nature/culture dichotomy. This Western inclination to categorize concepts into binary opposites reflects the perennial gendered way of thinking,
På trods af regnen og blæsten i juli måned i sommer var der liv og bevægelse i fælleshuset i den lille, nordjyske by Fjaltring, i flere af skolens lokaler og