VR-operaen MORTALITIES giver os en smag på dødsriget, en vægtløs tilstand uden for tid og rum. Samtidig befinder vi os i et rituelt, meditativt rum med plads til ny teknologi.
While in New York to experience Performa23, we met with RoseLee Golberg
Notes on space on spatial logics, agendas, and deviations across scales from everyday life to urban vegetation and contemporary dance
Artist Samara Sallam works with both spiritual and political landscapes in her art. Sallam is educated, living, and working in Denmark and at the same time having the political status as stateless Palestinian.
Nuværende og tidligere studerende og ansatte på Forfatterskolen beder regeringen om at fordømme bombningerne i Gaza og volden på Vestbredden samt at forlange våbenhvile. Enhver form for angreb mod civile
Atmosphere of Decay by Sophia Mage: a performance on rage, destruction, and femme sensuality during the apocalypse, inspired by ancient Sumerian goddesses Innana and Ereshkigal, symbolizing conscious and subconscious realms.
In collaboration with the art platform Til Vaegs, the Brazilian artist, Rodrigo Andreolli, has invited people in São Paulo and Copenhagen to participate in a 3D scanning of objects. This
bastard har været forbi Mols bjerge og mødt Christine Fentz til en samtale om at skabe forbindelser mellem mennesker og ’more than human’
How to arrive after landing was created during the IN PROCESS residency at HAUT. It explored the discrepancy between going somewhere and actually arriving there with your body.
IN PROCESS How-To-gether residency curated by HAUT and HUMUS collective with Joni Barnard and Zee Hartmann