
Managing Discomfort del 4: SATAN + The Iceflake
Om Iggy Malmborgs SATAN og Jessie Kleemanns THE ICE FLAKE

Om Iggy Malmborgs SATAN og Jessie Kleemanns THE ICE FLAKE

There was no longer any room for doubt: it was Wednesday, March 27, 2024, we were seated at Dansstationen, in Malmö, and we had just witnessed Deep Etude, by Alma Söderberg.

Back in São Paulo, MITsp, the international festival for dance and performance was entering its’ last day. I was in town to take soak in the abundance of performances and

The smell of São Paulo is thick. I arrived an early Wednesday morning and a two-hour Uber ride took me from the airport to my room in the center. My

The weather is crisp and sunny as I drive from Copenhagen to Nykøbing Sjælland. Even though sitting inside I can sense the weather, the cold and crisp spring air. I

This essay by Dorte Bjerre Jensen wades into the waters of gratefulness, spacetime and mutuality blurring the lines between human perception and the-more-than human worlds.

DUNKEL er en forestilling om mørke. Om at være det, stirre ind i det, lade sig omslutte af det. Mørket. DUNKEL er en danseforestilling eller sanseforestilling om alle mørkets nuancer.

With Cumulus, Andrea Gunnlaugsdóttir and Claudia Lomoschitz invite the participants to “witness movements, choreographies, and politics of the sky through a feminist lens.”

Filip Vest reports from ICE HOT in Oslo, reflecting on their experience of the performance One Drop by Sonya Lindfors, a decolonial tour-de-force.

Den performance An Ambulance to the Future (The Second Chance) af Martin O’Brien fik flere publikummer til at gå, mens andre, som undertegnede, måtte se bort.