bastard

Tina Tarpgaard lykkes med at sanseliggøre den abstrakte, men samtidig så kropslige og fortættede kapitalismekritiske olietekst af Ida Marie Hede i Petroleum.

At Husets Teater we were led up the stairs and into a room, where chairs were placed by the walls all the way around the room, making up a square

Koreograf Nønne Mai Svalholm sætter fokus på kvindedrab og mekanismerne bag i fejende flot og faktuel forestilling på Aarhus Rådhus.

Lacuna by Teo Ala-Ruona is presented as “an autofictional body horror performance that invites the audience into a void inside the performer’s body”.

Grey concrete walls. Tall, arched windows make me think of an old, beautiful train station. Through the windows I see: a man wearing headphones, a piano. In front of the