Miriam Kongstad unfolds the research going into her works Take My Breath Away (2023) and Worker’s Choice (2017) with references to pop culture, aging bodies, women in jeans and body politics.
The Sámi cultural resurgence and The looming end of climate nihilism in ‘Matriarchy’ by Pauliina Feodoroff at the Sámi Pavillion at the Venice Biennale
Interview med stifter Sara Gade. Pigmenthaven er en have og et samfund med fokus på klimakrise, kunst, farver, materialer, planter og håb.
HAUT ‘On Mother Tounges’ is about mother tongues and translations. Aiming to reflect on the performer skills, from our mother tongues to trans-linguicism
At glide gennem muld, at dryppe fra en regnvåd paddehat, at sitre som en frisættelse af sporer. Velkommen til svampenes indtog i scenekunsten.
Hvad er kunstens rolle og potentiale i en tid med økologisk krise? Det spørgsmål stillede Metropolis i seminaret Performing Landscapes Laboratorium
Lydia Östberg Diakité unfolds themes like iconic walks, crying practices, working through pleasure, and creating new collective realities.
Med skulptur værket Kristus, der er installeret på rampen ved på Halmtorvet 17 (H17) undersøger Kirstine Aarkrog forholdet mellem stedet og skulpturen
Iury tells us how the feminine presented itself in their memories between Brazil, Denmark and Sweden and how Voinha became the first non-binary person they met
Melanie Kitti soloudstilling Kippar efter vinden (ledsen och klumpig) gentænker freskomaleriet og kradser samtidig i rester af vestlig (kunst)historie